Wednesday, August 29, 2012

Premium Rush (*** out of ****)

Premium Rush is probably the surprise of the summer. If you had told me I'd really enjoy an action comedy about people riding bicycles, I'd just laugh. this isn't exactly a deep and compelling film, but it's a blast of excitement for a quick 90 minutes. There is a lot going for this rather simple film.

Joseph Gordon Levitt and Michael Shannon are rather fascinating actors. They are excellent at what they do and can easily jump genres. JGL stars as Wilee, a reckless bike messenger in New York City. He's given a end of the day assignment where he must deliver a message all the way on the other side of the city. However he's stopped by Bobby Monday (Michael Shannon) who wants what's in the envelope to be delivered and won't stop until he'll get it. What follows is often hilarious and suspenseful mad dash around the city. The film is almost a live action Loony Tunes (evident with the lead sharing a name with a certain cartoon coyote). Michael Shannon is absolute dynamite in his role. It's delightful to see a villain who's incompetent. There's been too many serious bad guys lately, this is huge and welcomed change in material. Premium Rush is reminiscent of other highly stylized films like Run Lola Run and Shoot 'Em Up which is for the better. This is the tight and driven filmmaking with engaging stunts that can really give you quite a ride.

*** out of ****

The Expendables 2 (** out of ****)

The Expendables 2 is in my opinion slightly better than the 2010 original. That's not much of an accomplishment considering the disappointment that was a first. Most of the characters return here (some just cameos) for another mission. This time they must stop plutonium from falling into the hands Villain (Jean Claude Van Damme), yes that's really his name. My problem with this film is pretty much the same I had with the first. The series' gimmick is getting together all the big and often older action stars. For a movie with the old guard heroes there is a lot of new age cheaply done CGI. Would it have not been more fun if the film had used the special effects of old instead of computer generated blood? There is also the story which seems to have been written based on the actors thoughts. Chuck Norris' cameo suspends the already simplistic story(not in the good way) just for him to do something cool. The first film was much better with incorporating all these actions stars. The Expendables 2 is goofy fun and has some entertaining action scenes. However with no pay off nor anything memorable in this ensemble, the film is doomed to be mediocre.

** out of ****
(I decided to have a Van Damme picture since he's arguably given the best performance of the group in JCVD)

Friday, August 17, 2012

Beasts Of The Southern Wild (**** out of ****)

Somewhere outside of New Orleans there is a humble community known as The Bathtub. The place is is nearly void of time and society. The residents live in a dream like bliss where joy comes first. In this place there lives a girl of immaculate bravery. Her name is Hushpuppy and she will be king of The Bathtub, a figure who historians will talk about a 1000 years from now. Hushpuppy is a girl unlike and similar to many children. She is different due to her resilient strength, living situation and curiosity in a life that is like no other. She is similar due to her being a child that is simply discovering the world. Hushpuppy believes the universe is all connected and she is a piece of larger puzzle. She believes her situation will result in impossible fame though, how children dream. The character is played by Quvenzhane Wallis in hypnotic performance. She lives and breaths the world around and is impossible to ignore her talent. Without her the film would not be possible, she is part of the magic that holds it together.

Hushpuppy lives with her father (a marvelous Dwight Henry) in this isolated community. Her father named Wink is a father of great love. He trains Hushpuppy in the ways of survivor and living. He loves his daughter unquestionable but is not afraid of punishing her ( a slap after she burns down a shack is tough love). Wink has told Hushpuppy that her mother swam out into the water and the small child believes she will return one day. She calls out to mother in hard times, a child looking for help when it may never come. Some of the trouble in this child's life comes from the environment and nature itself. Whether it be the rising water or large boar like animals called Aurochs. People of the community believe in a folk tale that these pre Ice Age creatures will return one day and that is not far the truth.

Beasts Of The Southern Wild is a film that will be seen in many different ways. A small girl's path into maturity, a fantasy story on small proportions, a tale of pieces of the universe, a father and daughter's love, a message about society and the environment and others that have yet to be realized.  The film is shot on a minuscule budget and shines bright with authenticity. The locations and the people feel real for an odd folk lore. The actors (namely the two leads) are a welcomed relief to  art form where performances seemed phoned in now days. The story is easy to be absorb into and dissected for depths. Sometimes it takes a smaller film (in size not heart) to make one appreciate the allure of cinema. Director Behn Zeitlin makes a wondrous debut with this film. It's in the style of a David Gordon Green (before he decided to stop thinking intelligently). Beasts Of The Southern Wild has the style, depth and love of a Terrence Malick film but also the bruising but hopeful heart and imagination of a Hayao Miyazaki (it's like a live action version of one of his films). This is arguably the best film of the year right now but undoubtedly should be considered as one of the best any way you take it.

**** out of ****

Wednesday, August 15, 2012

The Campaign (**1/2 out of ****)

The Campaign plays it smart and makes up it's own story. Another kind of comedy would have modeled the two candidates after real life politicians. Also stereotypes about right wing and left wing could have filled up most of the film. The republican isn't a simple god fearing loyal American (well he is but does so without style) and the democrat isn't so kind. The Campaign comes up with original, unpredictable and funny comedy. It's just not the best Will Ferrell comedy out there.

Cam Brady (Will Ferrell) has run unopposed for congressman of his district for the past four terms. It's a cushiony job that he takes full advantage of. Two CEO's  (John Lithgow and Dan Aykroyd) who own a number of sweatshops in China want to take things locally and plan on using Brady's district by running their own candidate. This person would unfortunately be Marty Huggins (Zach Galifianakis). An odd man to say the least, perhaps the best way to describe him is he's the kind of person who talks about his two pugs as often as he can. The two enter a heated race that is both professional and personal.

The Campaign is often fun and contains both outrageous and over the top scenes but has also it's character driven jokes. There's also a small hint of subtly to some jokes. Most of the comedy is hit or miss and unfortunately is closer to that miss category. However the film is quick and paced well. Even if the humor in areas is lacking the film is pretty joyous throughout. Quite good but not one of those Ferrell cult classics out there.

**1/2 out of ****

The Bourne Legacy (**1/2 out of ****)

Bourne is back... in photographs and name only. No The Bourne Legacy is a spinoff without too much connection to the Matt Damon series. It's plausible to think that the story might have been tweaked to a point where the film is completely separate of the Bourne universe without dropping in quality. However that doesn't let the production company to cash in on the Bourne franchise. The Bourne Legacy is well built and often engaging action thriller. The film can be gripping in the moment. "The problem is in getting the moments to add up".

Aaron Cross (Jeremy Renner) much like Bourne is a genetically enhanced spy. The Bourne Legacy is ultimately the story of Aaron trying to get his pills. One green pill and one blue pill must be taken at certain times of the day so Aaron can keep his enhanced strength. Meanwhile in Washington DC Eric Byer (Edward Norton) is placed in charged of closing down the program that enhanced people like Aaron. This includes killing Aaron as well Marta Sharing (Rachel Weisz), a doctor who helped develop the medication participants of the program need to take. The two go on the run but it's never easy.

The Bourne Legacy is probably weakest "Bourne" film but still a fine movie. Not great but acceptable. Jeremy Renner is a worthy replacement for Matt Damon. The problem is the introduction of Aaron to the franchise is not nearly as strong as Jason Bourne's in the first film. The character of Marta is well done for the kind of thriller this film is. It's not meant to be simple. Thus Marta and Aaron have chemistry but it is not hugely romantic. Weisz makes the best of the character. Tony Gilroy has finally takes of the directing helm after writing the previous installments but it's not his best work. Gilroy is capable of making a smart and engaging film (Michael Clayton and Duplicity) but his actions scenes vary in quality. The Bourne Legacy is easier to follow during fights but that doesn't make it  better. Paul Greengrass made perhaps use of shaky camera fighting in the two previous installments. Gilroy's actions scenes are impressive but not as much as Greengreass' films. As for the actual scenes the best one is includes a scene of madness by a lab technician played by capable Zelijko Ivanek. Marta's home is also the center of a strong action. Filled with both human emotion and clean editing. The big chase in Manila is thrilling but runs a bit long (as does the entire film, many the analyses scenes could have been cut). The Bourne Legacy is has it's problems but also it's strengths, the good outweighs the bad here.

**1/2 out of ****



Sunday, August 12, 2012

Bachelorette (** out of ****)

In the wake of the success of the hilarious Bridesmaids comes the less stellar Bachelorette. Instead of combining a variety of characters, all with their own humor to bring, this film creates three very unlikable similar leads. Regan (Kirstin Dunst), Katie (Isla Fisher) and Gena (Lizzy Caplan) are all bridesmaids in their high-school friend's wedding They're load mouth, spoiled, selfish and act superior to everyone else. Being an unlikable character is not a problem when done correctly. Paul Giamatti isn't great hero in Sideways but he has a depth. Our leads here aren't one dimensional but just not very interesting. The three girls embark on a wild night after they in a foolishly rip the wedding dress. The movie doesn't have many big laughs nor is that pleasant to watch. The emotional moments show some interesting insight on each character but the intrigue is quick to fade. Bachelorette takes elements from other successful comedies and just makes things average. Not much more to say here because there is not much to see in the first place.

** out of ****

Wednesday, August 8, 2012

Total Recall (**1/2 out of ****)

There are very few good reasons to remake a already functional film. Converting it into english is not one of them. Producers making money on a remake is also unfortunate.  One of the most legitimate reasons is to touch upon a theme in a different or more in depth scope. Total Recall has a theme/gimmick that is absorbing and rich in exciting confusion. What is real and what is Recall? Where does the audience come down on this line? In the original version the line was near even. However this Total Recall makes its greatest error and makes the question one sided. Instead of touching up on it's theme the film instead looks to focus on visuals and action. It's only slightly better than the generic action movie which is very unfortunate.

Douglas Quaid (Colin Farrell) lives a life he didn't imagine growing up. He's a factory worker, building synthetics (combat mechs) who lives in a small apartment in The Colony. After chemical warfare Earth has only two livable areas left, The Federation of Britain and The Colony (Australia). Doug who has grown trapped in his life visits a "Rekall" center. A place where memories of grand adventures can be placed in your head. It's like a virtual reality simulator that feels real. Doug dreams of being a spy but things go wrong when they claim Doug already has memories of being a spy, that's when the military attempts to abduct Doug. They claim he is a resistance soldier working for The Colony against Britain but Doug has no memory of this. Doug has been set up in a fake life with a fake wife (Kate Beckinsale) and now that he is aware of his past must be stopped at any cost. He'll have some help from Melina (Jessica Biel) along the way. However has he really forgotten his past life or is he simply having a "Rekall" experience.

The problems with the film lay upon directors Len Wiseman's shoulders. He can create a well crafted action movie, but often does it without soul. Underworld, Live Free or Die Hard, and Total Recall all have the same problems and strengths. The look incredible but have very little to get one emotionally involved in the story. Nothing beyond the simple "if I don't feel something for these people then there is no point in watching". Colin Farrell is fine actor but doesn't have the charm Arnold Schwarzenegger had in the original. Arnold's performance is like a child who has been shown what the world really is like. Farrell plays the early stages of the film like he is in fact trapped in his life. The idea goes along with the films biggest problem that I stated early. This version of Total Recall doesn't focus on what is real or not. It's the film's greatest aspect but is put on the back burner for much of this film. The opening scene should never have been included because really implies one side over the other, it is very poor work. This version of Total Recall does have its strengths. It must be said that the film looks marvelous. The cyber punk setting are brilliantly done. The mix between actual sets and CGI is very smooth and worth boasting about. The action scenes here are well done, easy to understand each move and flashy enough to invite originality. The supporting cast (Bill Nighy, John Cho and the invaluable Bryan Cranston included here) are all effective in their roles. Beckinsale and Biel sway back and forth on the line between simple eye candy and tough and interesting woman but are still entertaining. Total Recall is decent but the question needs to be asked. If your going to remake a movie, why make it generic?

**1/2 out of ****


The Watch (*1/2 out of ****)

How hard is it to recreate Ghostbusters? It doesn't seem as difficult as all these knockoffs are making it to be. A good mix of comedy and fear, great one liners, lovable cast, an interesting location and a gimmick fascinating that you won't see in any kind of movie. The Watch feels and looks like a film that was made to be a raunchy modern Ghostbusters. However what we got here is an unfunny, needless profound, boringly simple and just plain messy film.

Instead writing a love letter to New York as in Ghostbusters, The Watch takes place in a suburb almost like any other that leaves too little of an impression. If it had left no impression it might have been a smart little detail about boring suburb life, but that's not really the case. Evan (I'm just in it for the money Ben Stiller) is a active member of his suburb and after a murder in the Costco he manages, Evan starts a neighborhood watch. Joining him are Bob (Vince Vaughn brining his obnoxious frat guy attitude with him), Franklin (Jonah Hill looking lost and confused) and the Jamarcus (Richard Ayoade deserved a better Hollywood debut). The four hunt for the murder but it turns out instead of some serial killer, the culprit(s) is/are other worldly life. These aliens look to destroy Earth of course but can our four lovable loser stop them? You'll have to see for yourself (Or just read about it and save your money).

The Watch doesn't have much original humor. The characters use curse words left and right but without any fun to them. It's like the idea that simply swearing in unusual ways is actual humor. There are some funny parts here but their quick and surrounded by weak jokes. It's very disappointing this film is quite bad with the talent involved. The four actors involved have done hilarious things in the past (some more than others), the director Akiva Schaffer made the hilariously absurd Hot Rod and  Seth Rogen and Evan Goldberg helped write the screenplay (they also did Superbad and Pineapple Express). Yet The Watch ends up failing for the most part even with all that talent. There is also the unneeded subplot of Evan's failure to have a child with his wife (Rosemarie DeWitt wasting her talent here). It's poor drama in a mediocre comedy. It's not an unwatchable film but thankfully very forgettable.

*1/2 out of ****

Savages (**1/2 out of ****)

Oliver Stone is somewhat back baby! Savages isn't one of Stone's recent political undertakings but back to the material that made Stone popular. Hard, uncompromising, moral defining, bloody, and obscene. This is a return to form, although Stone is still not quite there yet. Savages is too long for the kind of film it is and often can be quite boring. However It's nice to see Stone doing an original story.

Chon (Taylor Kitsch) and Ben (Aaron Johnson) are best friends and work together in quite the controversial business. Ben grows some the best Marijuana in the world and Chon is the muscle that keeps things moving smoothly. They both are in love with their shared girlfriend "O" (Blake Lively) who is acts as our narrator. Chon's, Ben's and O's lives are turned upside down by a cartel lord (Salma Hayek) will do anything to partner up with the two boys. This includes kidnapping O.

Savages has some strengths and features that make it worthwhile but not saving graces. Benicio Del Toro who plays a ruthless henchman working for Hayek is very effective as a villain. His cold and cruel actions make him easy to hate. Savages also benefits from a very quick and energetic style to it. This is done through fast editing and different color filters. It gives the film a bit of a fascinating edge. Oliver Stone is trying again and it's worth a view.

**1/2 out of ****