I have never seen a movie like
Anna Karenina before and I don't think I would like too again either. Don't get me wrong, I found the film worthwhile and often enticing, but the concept of the film is an better idea on paper rather than execution. To set the stage, much of the film takes place in a single large room. It's a large theater and serves as different locations for the film, so it's as if
Anna Karenina is a play. Yet the characters never show any acknowledgment of this and carry about their lives as if this setting was normal. This style of filmmaking sets up for lavish and wonderful scenes. Filled with flamboyant choreography and dazzling costumes, the film is never boring to look at. However this concept often can distract from the story and as the film progresses the theater scenes become erratic in usage (going long stretches without them). Still this original take on the classic novel is welcomed and makes for some lovely cinema.
Keira Knightly strongly plays the title character in this Joe Wright adaption. Married to minister Karenin (Jude Law), Anna is in the spotlight of Russian social life. She however becomes fascinated by Count Vronsky (Aaron Taylor-Johnson), a "rich good looking calvary officer". The two begin a an affair that will shock all of the country. Meanwhile Levin (Domhnall Gleeson) begins his journey in life looking for marriage and a place in the world.
Joe Wright's has brought a lot to this much adapted novel with his theater oriented concept. The actors do a terrific job with such a challenging film. It's not all that it could've been but I appreciate what it attempted.
*** out of ****
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